1男2女三人婚禮經(jīng)警方教育已取消 北影節(jié)驚喜劇組是東極島 一雙繡花鞋隱藏著一個亡詛咒，凡穿過繡花鞋人都意外慘，無一幸免雯大病未愈擺脫了丈夫航和醫(yī)生的護，獨自逃老家古宅生。安雯在老發(fā)現(xiàn)了一雙上流傳并受死亡詛咒的花鞋，陰差錯之下繡花穿在了她的上，意外開了繡花鞋上死亡詛咒。怨生效冤魂命，盤桓在宅之中的詭無處不在，法擺脫的惡如影隨形，使頻臨崩潰安雯做出瘋的舉動，陷一場危機四的驚魂逃亡? 《為愛放》講述了面模特李（童菲飾和樂隊主譚耀（姜飾）兩個在迷茫期年輕人相相愛，和行人面對想、愛情現(xiàn)實時的扎與選擇
惡搞近年來的偽紀(jì)錄恐怖如《鬼影實錄》系列《最一次驅(qū)魔》《心中的惡魔等影片。與《鬼影實錄》樣采用偽紀(jì)錄片風(fēng)格的拍方式，劇情更是基本復(fù)制《鬼影實錄》：一對年輕婦搬進新家，誰知這竟是間兇宅，妻子遭遇鬼附身男主人（馬龍·韋恩斯飾于是請來各路神仙驅(qū)魔，圖挽救自己的幸福生活，者說“性”福生活。影片實并非僅僅惡搞了《鬼影錄》，前年北美大賣的另部偽紀(jì)錄恐怖片《驅(qū)魔》未能幸免馬爾科姆和姬莎一對年輕的新婚夫妻，他剛剛搬到了一棟新的房子，這棟房子是他們夢寐以的，寬敞、舒適。但是事卻沒有他們想的那么簡單
這里是邁阿密，這里度假勝地，這里有陽海灘，這里有熱辣美，但在如此美妙的天之下卻潛藏著罪惡的獄，小糾小紛、勾心角演化成一發(fā)不可收的殺人慘劇。 在這個熱帶城市，有著這樣個團隊，他們嚴(yán)謹敬，他們辛勤客觀，他由鑒證人員，驗尸官調(diào)查員等各方面的專組成，出入各個案發(fā)場，用銳利的眼神尋蛛絲馬跡，巧妙利用道學(xué)、犯罪危險因子、法醫(yī)毒理學(xué)、DNA鑒定、咬痕與血型分、齒 、科學(xué)、昆蟲學(xué)、痕跡學(xué)和犯罪變態(tài)理學(xué)抽絲剝繭，將支破碎的線索拼湊起來還原出事實真相。 在這里，可以看到難以及的專業(yè)技術(shù)在眼前實的展示，可以看到CSI探員如何為死者沉冤昭雪，而在如此殘的罪行背后又掩藏著樣的故事和動機。這不同于普通的罪案劇所有推斷均基于最尖的高科技偵破技術(shù)，滿條理的分析讓人在服的同時不禁驚嘆科的神奇魅力。 盡請關(guān)注犯罪現(xiàn)場調(diào)查：邁密篇，讓高科技席卷的大腦?
[satyamevjayate」意為“真理戰(zhàn)勝一切"，這句話寫在印度國徽上，是多寓度的座右銘。寶萊燕山電影巨星阿爾汗歷時兩年，打蓋國出這一關(guān)注會、貼近民眾、深當(dāng)扈次揭露社會題的節(jié)目。他采訪洵山同階層印度的真實故事,大膽曝光印度社會種種弊鳳凰,力圖以殘酷真相打動和喚醒大眾,進而努力改變現(xiàn)狀、治計蒙丑陋傷疤。Episode1:FightingRape對抗強暴ThefirstepisodeofSatyamevJayateSeason2,telecastonMarch2,2014,dealtwiththeissueofrapeandunderlinedseveralsystemicfactorsthatactasroadblocksonthepathtojusticeforsurvivors.TheVoteforChangecampaignforthisepisodecentredaroundthreefocalpoints:ThesettingupofOne-StopCrisisCentresineverydistrictofIndiaaspertheguidelinesrecommendedbytheJusticeUshaMehraCommission.ThecreationofVulnerableWitnessDepositionCourtroomsacrossthecountry.Agender-sensitive,scientificandhumaneprotocolforthemedicalexaminationofsurvivorsofrape,tobeuniformlyimplementedacrossthecountry.Episode2:Police警察OnMarch9,2014,thesecondepisodewastelecastanditdealtwiththeneedforreformsinthepolice.In21stcenturyIndia,thesystemofpolicingisstillbyandlargewithintheframeworkofthe1861PoliceActintroducedduringthecolonialBritishRaj.Thepolicecontinuestobearuler’spoliceratherthanapeople’spolice.TheVoteforChangecampaignforthisepisodeurgedcitizenstosupportthedemandthatthe2006judgmentoftheSupremeCourtinthecasefiledbyformerDGP,UP,ShriPrakashSinghbeimplementedandapeople-friendlypoliceforcebecreated.Episode3:Don’tWasteYourGarbage不要看浪費你的垃圾ThethirdepisodeofSatyamevJayate,telecastonMarch16,2014,dealtwithoneofthemostshamefulproblemspersistinginourcitiesandtowns,viz:garbageandthescandalousstateofsolidwastemanagement.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthatincineratortechnologyforburningwastebeopposedandthatstategovernmentsandunionterritoriesworktowardsimplementingtheMunicipalSolidWastes(ManagementandHandling)Rules,2000.Episode4:KingsEveryDay我自君王，每日TelecastonMarch23,2014,thefourthepisodedealtwiththeneedforstrengtheninggrassrootsdemocracyandinparticular,highlightedimportantmeasurestohelpfightcorruptionandincreasepublicparticipationingovernance.TheVoteforChangecampaignforthisepisodeurgedcitizenstolendtheirsupporttothedemandforsocialauditsofthegovernment’sexpenditureonsocialwelfare,andthepassingofthePublicServicesGrievancesBillwhichwillhelpensurethatessentialservicesaredeliveredinatime-boundmannertocitizens.Episode5:CriminalizationofPolitics政策犯罪SatyamevJayate’sfifthepisode,telecastonMarch302014,dealtwiththerampantcriminalizationofpoliticsinourcountry.TheVoteforChangecampaignforthisepisodecalleduponpeopletosupportthedemandthattheproposaloftheElectionCommissiontodebarcandidateswithseriouscriminalcharges(withappropriatesafeguards)isbroughtintoeffectandsuchcandidatesarenotallowedtocontestelections.JustcameoutofmymeetingwithHonorablePrimeMinisterofIndiaShreeNarendraModiji.Wasverykindofhimtosparehisvaluabletime.—AamirKhan(@aamir_khan)June23,2014SharedwithhimtheoverwhelmingsupportthatwegotfrompeopleacrossthecountrythroughVoteforChangeCampaign...—AamirKhan(@aamir_khan)June23,2014..onSMJonthevariousissuesthatwetackledinourshow.Hehasassuredmethathewilllookintoallthematterspic.twitter.com/AI7e8cX9Bn—AamirKhan(@aamir_khan)June23,2014http://www.satyamevjayate.in/petitions-reach-topm.aspx
